A bodybuilding-based cult?

By ChulucanasGym

VISITOR’S DISCRETION ADVISED

The story is not probably new., but who tell it did look for  picturing it as featured on this post. It’s about the young farmer male, who doesn’t find opportunities to develop in his environment and decides to migrate to the big city. But instead finding progress, he finds much obstacles and multiple temptations  those put him in the edge of social risk, mainly crime and drug addiction.

Then, a solidarian hand ddiscovers him at an eventual job that only provides him the necessary to survive, and realizes he has a potential to launch a career in bodybuilding. It opens him the doors of a gymnasium, the Young male wonders about the new world revealed to him and takes the opportunity. He begins to work out, grows up physically, changes his mind from conformism to competitiveness, feels motivated to contest, and eventually gets little-but-significant triumphs.

Itt’s evident the contrast between a life without goals and what seems to be the beginning of a career that promises achievements, and it could be the story of your own life. But the element that nobody would think is that the story were pitched to some magazines or websites specialized in bodybuilding, instead, it could have a religious use, rather. Yes, themuscular development of a bodybuilder becomes to use for enhancing a very little cult considering its followers, but what uses an ancestral symbology.

It happens in Jamaica, where the Church of Kyrios Christ, that proposes a big influence of the African culture in the three big religions of humankind, but what became invisible because of apparent race factors, has used the power of bodybuilding to make popular the cult for one of its orishas, a kind of demigods, named Olorun. The Church, which theology is based upon youruba  cults, also proposes the reinvindication of the African-descendant people into the world’s history, and it performs a ceremony every year when it renacts that orisha’s myth.

According to its parishioners, Olorun was made a slave during the colonial trafficking started in 16^th century (beautiful literary works have born from that time in the Americas). Once he lived at the barracks  of an estate located in the actual Chalacalá Town, near Sullana City, Peru, the orisha was a rebel mood, so the estate-owner used to punish by leaving naked and wearing a fetter with chains to humiliate to him, but Olorun, calling out divine forces, took the bold piece of metal with his hands and broke up by his own power.

A very ancient tactic

Independently this event was whether historically true or not, it’s enacted during this ceremony in Jamaica with the evident purpose that the parishioners not to forget about it, so reaffirming the cult values. And according to the Church, it looks for a model, usually Colombian or Jamaican, every year to perform the Olorun role, something that, as the organization’s leaders say, is accepted as a high honor by the chosen actor.

The idea of taking a real human being to remember or invoke an abstract reference or a belief is an oldest resource as  the art and culture of humankind. In Classic Greece, the Olympics’ winners used to be featured as the models for the statues of gods (and goddesses, because there were also  contests for women), and one of the philosophic principles at the ancient gymnasiums stated that the perfection of human shape was the closest way to look like a god or a goddess.

And that health-art-religion relationship has kept along the time, maybe hidden until the Renaissance (15^th century), but present up to today. Iff not, look around slowly when you go to the gym and have your own conclusions.

Good or bad?

So, only if the bodybuilder is aware he is actually training. It could be an interesting strategy  to reach constance, one of the values muchly hardworking to grow. But if the bodybuilder cannot take off the character of god or demigod, or celebrity, or famous person, or popular referent, it will be necessary professionalassistance with pairs advisory.

In this sense, the work of the trainer is crucial. It must not be reduced to care the athlete for doing the movement correctly, or complete the required reps or sets. He also has to take time to explore the psychology  of his pupil so giving him  the right support, and knowing to motivate him for continuing to overcome. Maybe, it’s not necessary to say him that he has to look like a god, but it’s important to feedback the goals  both proposed since the training began, and maybe this is one of the keywords – goals.

About the rest, the use of the religion to advocate a healthy lifestyle, only done with awareness and not falling into the fanatism, could result very positive. Many ancestral religions have very specific habits about feeding, for example, those have been incorporated as diet schemes accepted by international organisms, but stressing the basis of the variety and the balance.

And about the art-bodybuilding relationship, we think it’s an excellent combination only provided the bodybuilder assumes his artist stage as a dimension to set free in the whole sense of the expression, not like an obsession many times badly directed by some producers or career managers, who could be thinking the things more of audience or incomes matters. Like the food, everything in the right balance will be ever positive.

Shive Roy is featured as the model of this post. Photographs provided by Dwight Foster.

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